DOBLAS

Collapse emerges from the meeting point of opposing forces: what is finished and what seems to be unraveling, order and fragmentation. The collection explores contradiction as a creative territory, where every formal decision responds to a precise intention. The garments feature marked asymmetries —shortened fronts, elongated backs, and unexpected proportions— generating movement and visual tension. Nothing is arbitrary; each imbalance operates as a conscious, almost architectural gesture. Classic tailoring, rigorous and structured, enters into dialogue with pieces built through recomposition. Fabrics assembled from remnants and patchworks evoke garments in progress, as if the material were still defining its final form. 

The formal intersects with the unfinished; solidity coexists with vulnerability. In this context, the tuxedo becomes a key element: it sheds its traditional solemnity and integrates into a contemporary language where formality softens and becomes expression. A subtle nod to the 1960s introduces refined silhouettes and a restrained femininity, reinterpreted from a present perspective, free from nostalgia. Collapse does not seek to resolve contradiction, but to inhabit it and turn it into its essence.